{"id":1567,"date":"2026-09-10T11:14:06","date_gmt":"2026-09-10T09:14:06","guid":{"rendered":"https:\/\/matvision.eu\/?page_id=1567"},"modified":"2026-09-19T22:40:28","modified_gmt":"2026-09-19T20:40:28","slug":"sense","status":"publish","type":"page","link":"https:\/\/matvision.eu\/fr\/products\/sense\/","title":{"rendered":"Matvision Sense"},"content":{"rendered":"
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Produit \u00b7 Matvision Sense<\/p>\n\n\n

Savoir ce que contient votre flux, pi\u00e8ce par pi\u00e8ce,
avant de d\u00e9cider.<\/mark><\/h1>\n\n\n

Le noyau de d\u00e9tection et de d\u00e9cision de chaque machine Matvision, disponible seul pour caract\u00e9riser un flux ou un lot : composition par famille de mati\u00e8re et, avec le LIBS, par nuance d\u2019alliage.<\/p>\n\n\n

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Demander une \u00e9tude de performance<\/a><\/div>\n\n\n
R\u00e9server un appel de 30 min<\/a><\/div>\n\n<\/div>\n\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n\n
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Applications<\/p>\n\n\n

Con\u00e7u pour tous les flux.<\/mark><\/h2>\n\n\n

Sense mesure tout flux qu\u2019un Refine ou un Grade peut trier, et ceux sur lesquels vous h\u00e9sitez encore.<\/p>\n\n\n

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Ferraille E40<\/h3>\n\n\n

Combien de cuivre et de pi\u00e8ces attach\u00e9es l\u2019overband a emport\u00e9s, mesur\u00e9 sur votre propre chargement.<\/p>\n\n\n

Lire le cas complet \u2197<\/a><\/p>\n\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n

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Zorba et Zurik<\/h3>\n\n\n

La composition par famille, et par alliage avec le LIBS, avant de dimensionner une ligne de tri.<\/p>\n\n\n

Lire le cas complet \u2197<\/a><\/p>\n\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n

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DEEE et batteries<\/h3>\n\n\n

Ce qui est entr\u00e9 et ce qui est sorti : une identit\u00e9 tra\u00e7able pour chaque lot.<\/p>\n\n\n

Lire le cas complet \u2197<\/a><\/p>\n\n<\/div><\/div>\n\n<\/div><\/div>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n

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Comment \u00e7a marche<\/p>\n\n\n

Une pi\u00e8ce,
cinq mesures.<\/mark><\/h2>\n\n
\n MATVISION SENSE \u00b7 LE BLOC CAPTEURS<\/text>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/g>\n \n <\/clippath><\/defs>\n \n \n \n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n <\/g><\/g>\n \n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n <\/g>\n \n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n \n \n <\/g>\n <\/g><\/g>\n \n <\/g>\n <\/g>\n \n \n \n \n \n \n <\/g>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n PROFIL DE HAUTEUR<\/text>\n \n <\/g>\n \n \n \n \n \n <\/g>\n \n \n <\/g>\n \n \n \n \n \n \n \n <\/g>\n \n \n \n <\/g>\n \n PROFILOM\u00c8TRE 3D<\/text>\n <\/g>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n IMAGE COULEUR<\/text>\n \n <\/g>\n \n \n \n \n \n \n \n \n \n \n <\/g>\n \n \n \n <\/g>\n \n \n \n <\/g>\n \n CAM\u00c9RA COULEUR<\/text>\n <\/g>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n IMAGE EN TRANSMISSION<\/text>\n \n <\/g>\n \n \n \n \n \n \n <\/g>\n \n \n \n \n \n \n \n SOURCE RAYONS X<\/text>\n D\u00c9TECTEUR DANS LE CONVOYEUR<\/text>\n <\/g>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SPECTRE \u00c9L\u00c9MENTAIRE<\/text>\n \n <\/g>\n \n \n \n \n \n <\/g>\n \n \n \n \n \n \n \n <\/g>\n \n \n \n \n \n \n \n \n LIBS<\/text>\n <\/g>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n BANDES SPECTRALES<\/text>\n \n <\/g>\n \n \n \n \n \n \n \n \n \n \n <\/g>\n \n \n \n <\/g>\n \n \n \n <\/g>\n \n HYPERSPECTRAL<\/text>\n <\/g>\n \n <\/g>\n \n \n \n \n \n \n \n \n \n \n CODEUR<\/text>\n \n \n ALIMENTATION<\/text>\n \n \n FLUX INCHANG\u00c9 EN SORTIE<\/text>\n \n \n \n MOD\u00c8LE IA<\/text>\n \n <\/g>\n \n \n \n \n \n \n \n COMMANDE DE S\u00c9PARATION<\/text>\n \n \n \n RAPPORT DE COMPOSITION<\/text>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/g>\n \n \n \n \n \n\n \n \n \n \n \n \n <\/g>\n\n \n \n \n \n \n \n \n \n \n <\/g>\n\n \n \n QUALIT\u00c9 CONFORME<\/text>\n \n TAILLE CONFORME<\/text>\n \n PRODUCTION CONFORME<\/text>\n <\/g>\n\n \n \n <\/g>\n<\/svg>\n<\/div><\/figure>
  1. 01<\/span>

    Mati\u00e8re pr\u00e9sent\u00e9e<\/h3>

    La bande fixe la vitesse, la r\u00e9gularit\u00e9 et l\u2019\u00e9paisseur de couche. Sans cette pr\u00e9sentation contr\u00f4l\u00e9e, aucune mesure n\u2019est exploitable.<\/p><\/li>

  2. 02<\/span>

    Profil de hauteur<\/h3>

    Un laser de ligne se projette sur la pi\u00e8ce et une cam\u00e9ra inclin\u00e9e regarde cette ligne de c\u00f4t\u00e9. La fa\u00e7on dont elle se d\u00e9forme sur la surface donne le relief.<\/p><\/li>

  3. 03<\/span>

    Surface et couleur<\/h3>

    La cam\u00e9ra couleur et son propre \u00e9clairage lisent ce que la surface montre, et seulement cela.<\/p><\/li>

  4. 04<\/span>

    Ce que la surface cache<\/h3>

    La source tire \u00e0 travers la pi\u00e8ce vers un d\u00e9tecteur plac\u00e9 \u00e0 l\u2019int\u00e9rieur du convoyeur. Ce que la surface cache, la transmission le r\u00e9v\u00e8le.<\/p><\/li>

  5. 05<\/span>

    Quels \u00e9l\u00e9ments<\/h3>

    Un tir laser focalis\u00e9 vaporise un point de mati\u00e8re. Le plasma \u00e9met, et le spectrom\u00e8tre d\u00e9compose cette lumi\u00e8re en raies qui nomment les \u00e9l\u00e9ments.<\/p><\/li>

  6. 06<\/span>

    Bandes spectrales<\/h3>

    Une surface ne renvoie pas toutes les longueurs d\u2019onde de la m\u00eame fa\u00e7on. Une cam\u00e9ra lin\u00e9aire d\u00e9compose la lumi\u00e8re qu\u2019elle renvoie en bandes bien plus fines que la couleur, et cette signature distingue des mati\u00e8res qu\u2019une image couleur lit comme identiques.<\/p><\/li>

  7. 07<\/span>

    Cinq mesures, une seule pi\u00e8ce<\/h3>

    Chaque capteur rapporte ce que les autres ne peuvent pas. Ils d\u00e9crivent la m\u00eame pi\u00e8ce, au m\u00eame instant. Cette simultan\u00e9it\u00e9 est tout l\u2019argument.<\/p><\/li>

  8. 08<\/span>

    Dans le mod\u00e8le<\/h3>

    Les mesures entrent ensemble. C\u2019est leur combinaison qui nomme la mati\u00e8re, jamais l\u2019une d\u2019elles seule.<\/p><\/li>

  9. 09<\/span>

    Le verdict<\/h3>

    Qualit\u00e9, taille, production. Le rapport porte la composition ainsi que la version logicielle, le mod\u00e8le et les seuils qui l\u2019ont produite.<\/p><\/li><\/ol>